The architect John D. Kelley designed Joe Cocker’s 16,000 square feet home situated on 243 acres. The property sold in 2017 for $3.875 million
I’ve been a fan of Joe Cocker’s music since Leon Russell produced “Mad Dogs and Englishmen” in 1970, so this assignment from Colorado Expression magazine to write about the late singer’s Colorado estate was a high note.
“We can safely assume that the British Blues-rocker Joe Cocker sang in the shower at Mad Dog Ranch,” I wrote. “Yet the home was intentionally designed without a music studio, according to the gritty-voiced Grammy-winner’s widow, Pam Cocker. Her favorite place in the mansion was the library.
The architect John D. Kelley’s primary influence was Glencraig, an estate in Newport Rhode Island, designed in 1926, by Harrie Lindenberg.
Gregory Alan Isakov, one of hundreds of artists promoted by AEG Presents, performs at Red Rocks. — Photo by Colleen Smith
Chuck Morris’s half-century career in the music industry is well documented.
So is his signature look with a laid-back wardrobe akin to Neil Young’s and a collection of eyeglasses to rival Elton John’s. A native New Yorker, Morris perhaps more than any other individual has struck chords in Denver’s live music scene, growing the concert market into one of the most vibrant in the nation.
I reported on Morris, who heads up AEG Presents Rocky Mountains, for the Denver Business Journal. For my article, I interviewed the former governor of Colorado, John Hickenlooper, and the founder/CEO of MOA (Museum of Outdoor Arts) which owns Fiddler’s Green Amphitheatre, the largest outdoor concert venue in the region.
Having reported on live music for many years, I was interested to learn more about how the music business runs. “It’s not a science,” Morris said.
Colorado/Photo by: Colleen Smith
Old skis never die: they turn into furniture
For avid skiers, after making countless turns in the rarefied air through the powder, over the bumps, around the trees, one’s sticks become like a couple of very close, reliable friends. When ready to retire a pair of skis, many keep their trusty planks out of the landfill and in their life by repurposing skis as wall mounts, fences, racks for coats or bottles of wine, even sleds.
As I wrote in my article published in The Denver Post, “Old skis never die. They turn and turn and turn and turn and then turn into furniture.
At least that’s the case at Colorado Ski Chairs in Manitou Springs. The small business founded by Adam Vernon and operated with his son Keagan Vernon repurposes up to 200 pairs of old skis per week.”
For more about repurposed skis that preserve mountain memories, here’s a link to my feature article:
Photo of Scott Fraser’s book cover
SCOTT FRASER is one of the nation’s most talented still-life painters, and he has a new book that beautifully presents his work. The Colorado-based artist shows his paintings, which range from large canvases to miniatures on copper, in 25 galleries across the nation.
My feature on the artist was published by Art & Object and includes a wonderful slide shows of his fascinating paintings.
The Gates Family Foundation Curator of Painting and Sculpture at the Denver Art Museum, Timothy Standring said of the artist, “He’s not a surrealist and not a realist. He’s Scott Fraser.”
To see more of Scott Fraser’s work, check out his website.
My article from December-January Colorado Expression magazine profiling Tracy Stuckey
Tracy Stuckey’s satirical Western paintings might lead one to believe that the Old West is heading south. Stuckey kicks the dust off the Western icons and pours on satire. For the December-January issue of Colorado Expression magazine, I profiled the artist — who’s an adjunct faculty member at Colorado State University — and found his paintings both amusing and thought-provoking.
An excerpt from my article:
“Stuckey’s oil paintings suggest quirky narratives that both amuse and disturb. He presents human figures in ironic scenarios. Contemporary cowboys wield plastic squirt guns or ride toy horses. Intriguingly attractive young Anglo hipsters wear Levi jeans and chic sunglasses, cowboy boots and mini-skirts, fur coats and feathery Native American headdresses.
“Or they wear just their birthday suits. A robust sexual tension underlies many of Stuckey’s paintings. He peoples his canvases with nudes or figures in various stages of undress: a Vegas showgirl, a cowboy with his jeans down, and bikini-clad, nubile young women near desert swimming pools or teepees.
“Stuckey says, ‘I’m interested in our ideas about the American west and its history, and how it continues to find itself within our mainstream culture, the interaction with the real past and the romanticized.’ “
To see more of Stuckey’s paintings, check out his website.
Photo by RJ Sangosti of The Denver Post
In food deserts and in climates with short growing seasons, the wave of the future may well be found in greenhouses. Within the controlled environment of a greenhouse, growers can produce yields of salad greens, strawberries, tomatoes and other fruits and vegetables.
The future of food includes greenhouses, vertical gardening, hydroponics, aquaponics and other urban horticultural practices that can deliver better quality food with fewer chemicals and less water.
At Pickens Technical College in Aurora, Colorado, the new head of the department, Sam Shroyer, is leading the charge. Learn more in my feature published by The Denver Post