Denver’s RiNo Art District is proof of the powerful impact of public art. The art district’s mural project draws visitors to an industrial corridor once less desirable, but now hip and happening. The murals not only beautiful the buildings in the art district, but also support the growth and expansion of businesses. The mural project supports artists, as well tis the RiNo Art District tagline: “Where art is made.”
Reporting this story, I learned the difference between street art and graffiti: Street artists have permission. Graffiti artists do not. In the case of RiNo, both sorts of artists are at work. Graffiti artists are known to tag murals. “That’s the street talking to the street,” said Tracy Weil, the RiNo co-founder and director who admits he’s put up both murals and graffiti.
More about RiNo Art District’s olinnovative, creative and wildly successful mural collection in my article published by Art & Object:
I share all my secrets for making ice lanterns in my feature published in the new issue of Taproot magazine.
Ice candles are ephemeral. Part of their charm lies in their every-changing nature subject to the weather. One of the nicest aspects of teaching people to make these lanterns of fire and ice is when they succeed and send me a photo of their own ice candles. It sets me aglow to know others enjoy this simple yet elegant winter tradition and add a bit of warmth and light to the dead of winter.
An impressive private art collection made public in an ideal historic building combine for one of Denver’s hidden art gems: the American Museum of Western Art — The Anschutz Collection.
And if you think Western art means all cowboys and Native Americans and landscapes, the depth and breadth of The Anschutz Collection might surprise you with works by notables such as Georgia O’Keeffe, Maxfield Parrish, Edward Hopper, Rockwell Kent, Helen Frankenthaler, Thomas Hart Benton, Childe Hassam and N.C. Wyeth.
AMWA’s headquarters are artful, too. The building’s storied past is almost as colorful as the paintings, with reproductions of turn-of-the-centuries parlors well appointed with period furnishings.
Have a look at my article published by Art & Object with a number of images of the art and the museum, but no pay wall and no pop-up adds. Just click here.
As if the sumptuous art collection in the period setting weren’t enough, the museum also provides plenty of outreach to school groups, people with Alzheimer’s and their caretakers, and others with special needs. The museum has a wonderful website, too. Click here to visit the website where you can learn more about the collection, the building, virtual lectures and more.